I got a few things right. I produced an arrangement for Mr Blue Sky (and It Must Be Love) that had both harmonies and enough tune to be singable, even if singing a harmony part. I was wary of big non-melodic jumps in the parts, and tried to make each part a singable tune. I'm pretty happy with the results. I could have done more, I could have made some bits easier, but on the whole, the balance between scale and difficulty is about right.

I incorrectly assumed that notebashing videos would help, but we pulled those before they saw the light of day. I spent many hours demonstrating how to take the lines apart and sing them in bits, and only I ever saw those videos. For young people, learning by rote as a whole is perhaps easier than having it taken apart and shown to you a bit at a time, while you can't quite follow because even if you have the sheet music, you can't read along.

Who knows, maybe the notebashing would have helped some people, but less is more. People don't follow instructions at the best of times, so reducing the amount they can fail to follow is probably the right thing to do.

The biggest thing I failed to grasp, though, was how intimate a request it was, and how insecure it would make people feel when we asked them to record themselves singing and send it in. There's no hiding from the glare of the camera lens, and people have a very intimate relationship with their singing.

Asking the children to give me their singing voice - in fact even asking the adults to do so - was a much larger request than I figured it would be, and I quickly realised the extent to which I needed to treat what they sent me with the utmost respect. While it's easy to criticise singing we might not like or might consider technically flawed, such criticism should only be reserved for those who are presenting themselves as professionals in their craft.

For everyone else, singing is a special thing that everyone should get to do, regardless.

That's not always been my opinion.

Be careful what you wish for.

Around about a month ago, I wished that I could replace the missing end-of-year school show at my children's primary school with a virtual choir... so I worked out how to make that happen, asked for the right help and involvement, and here we are with not one, but two virtual choir recordings complete and a whole lot of exhaustion to boot.

I think it was worth it. I think we made something special that the people involved love and that captured a defiant spirit of a community.

I think we drove ourselves nuts making it, and put in more work than we expected to, having overcommitted to an over ambitious project.

But I like a challenge.

I learned a lot about how vulnerable singing can make people feel. Oddly, singing is something that nearly everyone loves to do. It's something you can hurt people by criticising, and it's something that makes people feel good and free... but so insecure. People are both frightened of singing up, and need to do so.

Seeing all the performances we wove together, along with the moments before where people were worriedly psyching themselves up to do it, was a hugely humbling experience. It was a privilege to be allowed access to everyone's voices, and I treated these recordings with a huge amount of respect. I had some recordings that I simply could not fix for technical reasons, and one or two acts of utter disrespect to the efforts of the project came through from participants I shall not name.

We tried to provide all the instructions, but instructions + common sense does not always add up to the right results... luckily there were a lot of ways to undo mistakes in post-production, and I tried to restore people's efforts to the level they would have been had there been more time to learn, record, and respond to the sound coming from everyone else.

In the next post, I'll offer some thoughts on how this project succeeded.

When I don't gig, I go a bit crazy.

Here's a brief diary of the results of insanity, as I've tried to create a new creative world for myself, outside of my normal way of doing things.

(approx) 11th April - did an online gig, decided to write a new song for it - released that song on YouTube

12th April - having decided to "get into Garageband" I bought some video editing software and created and released "Only One Song" a musical parody of La La Land

around this point, I also recorded some music with the children, which I didn't release publicly

18th April - having had the "basic necessities" idea lodged in my head, I released "Covid 19 Lockdown Shopping Song" - a musical parody of The Bare Necessities

2nd May - two weeks after my second parody song, a third emerged - my grand opus - "Lockdown" a Downtown parody

around this point I decided to buy more recording gear - a new microphone especially

26th May - released "Working from Home" a daft original song about remote working

26th May - also launched a new Funny's Funny website - a site about comedy by comedians

2nd June - "Every Day It's Getting Closer" based on me suddenly hearing how the lyric could be subverted while in the car - a music editing video, more than anything else

3rd June - after a LOT of editing, I managed to recapture the Skype/Cher experience in a daft video

3rd June - started writing a book on how to prepare for a cancelled Edinburgh Fringe...

14th June - I tried out my new microphone in a three person video shoot - the idea being to get ready to record a montage video with the children - it turned out I needed a new Mac to do that!

16th June - sent out a training video to 10 children to create "It must be love" video virtual choir

17th June - launched the book

21st June - released the "It must be love" video and then immediately suggested a much larger virtual choir video with the school - a 4 week project, still ongoing!

So, a bunch of videos, a website, a book, two virtual choir projects... a new computer, two kittens (somewhere along the way) lost a stone or so... 

When I take the video material I get for the virtual choir, I tweak it so it looks a little better than it did in the room on the day - mainly to fit it in with the project. This is what lockdown is. Reality, but not quite... more so... and yet less so.

I'm quite tired. I enjoyed the brief period in May when I just ate a lot of toast!

In the spirit of taking a joke too far, I wrote a parody of the How To Produce, Perform and Write an Edinburgh Fringe Comedy Show book. In the form of How to Write, Perform and Produce a Cancelled Edinburgh Fringe Show. I was lucky to have its original author, Ian Fox, on board. We worked hard on what is essentially a long daft chapter with swearing in it.

Bill and Ted.

We're still slightly guessing their genders. They came from a socially distanced trip to a corner of Birmingham where they were born to a mummy cat that really needs spaying. Her offspring will be looked after by our family and slightly spat at by our other cat.

After a lot of tightening of the budgets at the start of lockdown, the arrival of an Amazon voucher led to the purchase of some audio kit. Especially useful given the amount of music stuff I've been doing. The new microphone was a great price, but a long time coming.

It's very nice.

To road test the microphone and to try out some new video editing software I wanted to use, I made Fugue for Tin Horns from Guys and Dolls:

The video software crashed, so I used my old software.

Not content with a choir of mini-me's, I decided to create a virtual choir with the local school children. More on that when it happens. But it really needs better video editing software and my 2012 Mac just isn't up to the job.

So much for tightening the belt during lockdown. After a lot of searching for laptop and computer options, my brain became numb to the worrying price of a new MacBook Pro... so I found a "bargain" one... and I'm now a proud MacBook daddy.

I didn't want the most expensive computer I've ever owned to be offended by a dirty desk, so I did a bit of a clear up - it smells fresh in here now. Good times. It's still too full, but the desk was always the biggest issue.

I've learned how to use MuseScore and produced sheet music. I'm working on some musical arrangements... In fairness, I've been writing a few musical arrangements during lockdown, though they never amounted to much. The virtual choir project requires me to masquerade as musical director, film director and editor... and I'm going to do a lot of autotuning!

I imagine being able to sleep again sometime in August!

Strange, with my sore knee, that I should decide to go on a medium-sized bike ride this evening.

But I did. And it was great.

I didn't push myself too hard, had a lot of problem with accumulating flies, but on the whole came out of it feeling positive and refreshed. What's come over me.

Flies.

In other news we have kittens at home now.

The rest of this blog will be about kittens.

Here are a bunch of pointless things that I'll have thrown at me, regardless of any tone I take in a debate:

Fuck the lot of them.

I discovered some comedy notes and thought I'd share them here. Then I thought I'd share them on a whole new site about stand-up comedy... that's going to take a while, so they're coming here first.

I like old notebooks. Specifically, I like finding in old notebooks half-finished versions of something that later did get finished. It's interesting to see how something evolved. That applies more to the work of others than myself. I'm fascinated to see how musicals get adapted from original works, or how the later familiar version of a show is different from some earlier incarnation.

In today's installment of my braindumping, here are some evolutionary steps of the Where's Wally song that's available on my Discograffiti album. It wasn't intended to be in the Discograffiti show, but ended up replacing a song about Roget's Thesaurus that was ultimately less enjoyable. The Where's Wally song was originally written for a one-off show called "Not Now, Bernard". I say it was a one-off. It was for me. It was a run of shows where people were invited to bring along material about favourite works of fiction.

I think I ended up doing 4 pieces in the show, one of which was never seen again, and two which ended up in the Discograffiti Album, and one of which ended up in The Seven Deadly Sings. As I recall, I did an ill-conceived version of Anne Frank's Diary as a Ladybird book, where it had a happy engine with a rescue by Space Badgers. Not a zinger.

Then I did The Gruffalo, reimagined as a musical theatre song of self-doubt. That's on my album. I did a break-down of Doe A Deer from The Sound of Music, and then Where's Wally. Not necessarily in that order.

I used my piano and everything.

So, the main driver was to write a song about a childhood hero character, and Where's Wally is, of course, a blank slate as far as this is concern, not having a personality as such, just surface features.

Version 1

Wally, where are you?
You're really quite elusive
It's totally confusing
That you wear a woolly hat whatever the season
Wally where are you?
For crying out loud
You ask me to meet you in the middle of a Crowd
Then you don't seem to stand out, there's got to be a reason.

What are you hiding from?
Is it love? your sexuality? or debt collectors?
What lies behind your fixed smile and dead eyes?
Did you lose your mind in Vietname?
Did you only ever buy one set of clothes?
Or did someone lose the others in a laundry incident?
Have you ever been somewhere that's not very busy?
Are you a secret agoraphobic?

Wally, where are you?
You're hiding like a chimp [possibly wimp - can't quite read it]
Are you a drug dealer or pimp?
I've wasted hours trying to find you
Wally, I'm leaving!
I've waited long enough
Spotting you's quite tough.
Oh.... you were behind me.

What the hell was that?

I don't think that was quite intended to be the song. It looks more like a deliberate attempt to force ideas out into the open. On it, I've gone and marked certain lines with dots to show how powerful I must have thought they were when I read them back. This is a good trick I've used before with written material. Write the expected reaction type on the page and then review the density/quality from your own point of view. Then edit.

Version 2 (incomplete)

Wally where are you?
You're impossible to find
I've wasted a whole lunchbreak
Trying to meet you for coffee
Wally, what's with you?
Suggesting we meet in crowded places
Everyone has red shaped clothes and similar faces
and no matter the season you're in winter clothes

What are you hiding from?
Is it love, your sexuality, or debt collectors
What lies behind your square jaws, enigmatic smile, and haunted eyes
Did you lose your mind in vietnam?

Version 2 thoughts

It was more structured, but it died on the page. Perhaps at this stage, the lack of structure wasn't helping it. There are a couple of lines starting to take shape, but still it's relatively weak.

Version 3 (of 4)

Wally where are you?
You're so difficult to find
You ask to meet at lunch
When when I finally spot you it's teatime
Your suggest the meeting spot
Where everyone's in red and white
You're proof that the best hiding places are in plain sight

What are you hiding from?
Is it loneliness, debt, or your sexuality?
What's behind your fixed smile and dead eyes?
Did you lose your mind in vietnam?

What's with those winter clothes?
You're in a woolly hat come spring and summer
Have you considered a change in style
Might help you out of your obvious case of depression

Wally, where are you?
Are you even real?
Or are you a hallucination, brought on by eating too much yoghurt...

Close but not quite

This is very close to the final version. It runs out of steam, but it has a lightness of touch in between the darker punchlines. It reads familiarly, but hasn't been finessed in terms of some of the choice of language.

The problem was that it didn't really know how to end. In the end finding an ending involves a visit to Wikipedia as you'll see from this last draft.

Final Draft

Wally where are you?
You're so difficult to find
We arrange to meet at lunch
But when I finally locate you it's tea time
You suggest a meeting spot
Where everyone's in red and white
You're proof that the best hiding places, are in plain sight

What are you hiding from?
Is it loneliness or debt or your sexuality?
What lies behind that fixed smile and dead eyes?
Did you lose your mind in vietnam?
What's with those winter clothes?
You're in a woolly hat come spring and summer
Have you considered a change in style might snap you out of your obvious case of depresssion?

Wally, where are you?
Are you even real?
Or are you an hallucination?
Brought on by eating too much veal... I should say cheese, but that doesn't rhyme
I hear you change your name
When going abroad

In the U.S. you're Waldo
In France you are Charlie
Estonia Volli
In Iceland you're Valli
In Israel Effi
In Sweden, you're Hugo.... HUGO!?

Where did you go Wally?
Are you Jura, Willy, Holda, or Worri
Or Weili or Walter, I'm sorry
I cannot find you in a hurry

What happened?

Some of the above happened when the song was sung through with a tune and better lyrics suggested themselves.

Some of this is applying the usual musical comedy cliches of awkward rhymes, either a good rhyme that doesn't make sense, or a shoehorned half rhyme (sorry/hurry).

There's even a structural decision that a rapid-fire laundry list at the end of the song, taken from the aforementioned Where's Wally Wikipedia entry, and full of probably lesser-known facts about the character, would bring the song to a crescendo in terms of interest and density of material.

It's not stand-up club funny this one. It's amusing. I think it's written ok.

You can hear it here - https://www.amazon.co.uk/dp/B008U8XRIG/ref=dm_ws_tlw_trk10 as well as your favourite streaming services.

I can't give a good reason right now why things changed. Parenthood, career, life, other blogs. I'm sure all have factored into the equation. I think the more I blogged on my coding blog, the less time I had for my what I did on my summer holidays style posts for here.

But, as people keep saying, these are unprecedented times and I think it's ok to return to the fold. I seriously doubt anyone beyond a few stragglers accidentally hitting here owing to weird searches, will read this. These posts are intended for my present mental state and for the confusion of my future self, who will, no doubt be in equal measure:

There's no doubt that the past is a foreign country... and sometimes even the present can be. I had no idea, for example, that this blog didn't properly work if you accessed it from its native address, rather than the wrap-around shell you get when you visit via www.incredible.org.uk its original home.

Blogger stopped publishing to my own webspace years back, so I allowed a compromise where the www.incredible.org.uk site would be hosted by me and would enwrap the blog, in the hope that the address would still kind of work. The redirection tricks I did were superseded a couple of years ago by something cheaper, and the upshot is that my blog hasn't properly loaded for years and I've not noticed...

I fixed that today. This is what happens when you revisit an old home and notice the maintenance issues... easily fixed, easily not noticed.

To illustrate that the past is a foreign country I shall now read a blog post from 10 years ago to the day (ish).

Blimey, younger me was into:

It's reassuring to know that apart from the last one, these are still a good summary of me.

It's also weird to imagine a life of peaks and troughs of effort where work and gigs were frenetic, and then there's room for chilled out mornings of dozing hugging a cat...

Then you have children and all this turns to something else.

Then you have facebook and all this turns into endless fruitless scrolling.

There's probably a song in here somewhere.

There's a potential play on words here. Round - is it me being fat? or is it repetition? In this case it's the latter.

The weightloss regime continues (day 4) and I've lost 11 pounds in weight... but in fairness, this is just shock weightloss that doesn't particularly affect one's actual body. It's just a reduction in expendable baggage.

However, dropping carbs, does lead to a general shock to the system and I felt awful this morning. I had a headache, a tummy ache, my tinnitus was particularly strong... I was living the ACTUAL dream...

... and I was dreaming of a song I'm writing.

Another bloody song. The problem with them is that while you're working on them, they're almost all you can think about.

For some reason, I've chosen to pair some angry, intellectual invective with a rather poignant and jazzy accompaniment. Worse than that, because the song is in 4 keys (it key changes every verse) and because it's in two time signatures, and because I've hitherto, only written down the chord structure, with a couple of bits left to a later draft, I have a ghost ship of a song banging around my head with a melody that has variations in it, depending on how I remember to play it.

It was this half-finished tune that was going round in a loop in my head this morning, making me want to shut it out.

Perhaps it should have made me want to go to the piano and play it, but nope. This was a "shut up" tune.

However, once the day got truly started, and I'd finished lying on the sofa like a beached whale, then I did go to the piano and try to map out the song.

Here's an interesting problem with my "skills" as a composer. To be honest, the best way I can understand the melody of the song is to have it as written music. I can't quite read music perfectly, but I can definitely decode it, and it can be a permanent record of which notes were in a particular song. I've cheated before and written a list of notes down as letters, knowing I can assemble them back into a timed melody in the right key... but that's not something I can do perfectly in real time, and it's not incredibly helpful if I'm going to record the song and make an accompaniment in some music software.

So my instinct and my abilities are add odds with each other; another reason for the conflict in my brain.

I want to just sit down and write the music out... I physically do not have the skills. How do time signatures look? Do you put the flat or sharp symbol before or after the note? Where does the tail go? Which rest means minim?

I can read this musical notation fine and even use it to put notes into a computer, but the moment I have to write it with a pen and paper, I'm at the writing age of my 5 year old son.

But I persisted with it and had a damned good go, because that's how you learn.

Why I've chosen to write a song in 4 keys is anyone's guess... perhaps it's because I'm a cheap musical comedian using the tricks of the trade...

That said, I've never heard a comedy song in this idiom before, so maybe I'm just doing my thing.

If I hit 18 stone, I should buy myself an expensive Fender Stratocaster... FATOCASTER more like!

Now, I've hit that weight before... mainly on the way up. Arguably, I must have hit it an odd number of times - approximately the same number in each directin, because to hit it on the weigh up, I must have either hit it on the way down, or been under it to start with - something that's definitely been the case before.

I was about to write wistfully about the time in my life where I'd never exceeded 18 stone, but I don't think it's appropriate.

I'm pretty sure that I once found I was 16 and a half stone and was shocked into crash dieting, but I was younger, less experienced, had no idea that I could be attractive and fun, and squandered such youthful folly in a series of darkened rooms.

The darkened rooms of my older age are much better. They come with better facilities, more screens, and a more comfortable savings account.

They also come with fears for the future, a deep complex relationship with the tax man and my accountant, and a continuous sense that life would be better if there was less stuff.

It's odd. The desire to have loads, and the desire not to be burdened by it all, seem to go hand in hand. And this is both a metaphor for weight and the actual problem with weight.

My weight has been a heavy part of my life in recent years. Two years ago, weighing a little more than I do today, I was at a waypoint in a weightloss journey that began the previous year with a health scare. I lost a lot of weight while worried that I was doing so to get myself ready for an operation. Then the operation wasn't necessary. But I was healthier and happier, I did a musical, then rehearsed like crazy for another one's dance moves, managed to stay at some helpful weight equilibrium and was generally in good shape.

Since then life's had its way of tossing me about. Each dip or toss of the waves results in a weight reaction, positive or negative. The nature of the weight change isn't entirely related to whether it's a good or bad turn in my fortunes.

I changed job, and my new lifestyle caused me to gain some weight. Then I took control and lost some. Then I changed jobs again, and I got a part in a show, and steadily gained weight, despite feeling I'd be more in control of it. Then, with a job change imminent, I flicked the weightloss switch and steadily and sustainably brought the weight under control... until November last year.

Auditioning for a part I'd not even intended to audition for at first, and then getting hooked on the maybes of getting it, and doing ok in the audition process... that let me to another spike when eventually the part went to someone else. Worse than that, after many successful months (from June) of multiple dance classes a week, I was suddenly unable to do them owing to a knee injury.

Christmas last year was an eating competition - me vs my common sense.

Then January and I went to work, decided I actually couldn't quite bear to use the work kitchen to prepare healthy lunches, so just went without, and I came up with my best invention ever - losing weight by just eating briefly between 5pm and 9pm. I could largely eat what I liked, and the weight was dropping off again.

Fast forward to March and lockdown began. We self-isolated as we were under the impression it might be in our household and supplies waned a bit. I ate even less...

I broke a stone barrier I'd not broken in a while...

.. then things got easier... and I relaxed my regime... and packed weight back on.

At this point, I'd like to state without any fear of disagreeing with myself retrospectively, that eating loads of mashed avocado on sourdough toast is absolutely fantastic from the point of view of how it feels while you're doing it.

I also seemed to crave cereal.

I'm going to call this the lockdown-carb-addiction phase.

And it was a real shame. I'd been looking trimmer and feeling healthier and then things went back to binge eating.

On the up side, the local mobile fish and chip shop provided some very excellent food which me and the kids enjoyed enormously.

Something has to give, and ideally not the waistband of my trousers, or the central post of my office chair.

Before I became too much heavier, I decided to join in with my wife's "Fast 800" diet plan. It combines three things which we know to be effective for weightloss, but I'm not enjoying them and I'm planning to continue not enjoying them, while earnestly giving them a fair old crack of the whip.

1. Interval fasting - you could do 8 hours, I'm trying to about 4 (or less). That's the period of the day when you consume calorific food. We're assuming that coffee and fizzy squash don't count.
2. Low carbs - where previously I was trying a vague carb avoidance, and low carb works enormously well for me in general, here we're calculating the carbs down to very low numbers... scarily low
3. Low calorie - fat not an issue... just keeping the calorie count around 800

I don't know why I was slow in trying to arrange our trip to the Fringe this year. I'm usually champing at the bit. It's probably something to do with the fact that the cat was dying in February and I didn't quite get around to turning the conversation with my parents, when they visited, around to plans for August, as my mind was on other places, and I generally don't like to steer the conversation around to big favours.

That we're not visiting the Fringe has nothing to do with poor Spax the cat losing his short fight against cancer... I say short fight - he probably had it ages, but he was under treatment for a short time. Poor thing.

It soon became apparent in March that we were facing a real risk of the Fringe either being cancelled, or being a risky place to visit given the pandemic. After a few weeks of vacillations, the Fringe Society cancelled this year's event and now August has a giant hole in it.

It's weird. We only really go to the Fringe for 4 days, but it's a huge feature of the year nonetheless. In recent years we've followed it up with a family holiday, which helps decompress after the turbulence of enjoying Edinburgh. It is turbulent too. The diary becomes a series of 60 minute (ish) adventures, including the show and the race to the next one. Each show has an emotional curve, and your mood gets swung around for a day and then you repeat the crazy for a few more.

I like the way we do the Fringe, but it's not the way it used to be.

As a comedian facing a life-altering period of time, one's mind is always drawn to the possibility of the hour-long show that might emerge from something... the situation, one's own imagination, the availability of spare time that's suddenly been enforced on you.

So will I be back at the Fringe next year with an hour long show?

Probably not... but maybe the planning for the long return to the Fringe may start.

Next August, the kids will be 6 & 8. There's a high chance that we could take them to the Fringe and entertain them there... but making child care/entertainment work AND seeing/doing the sorts of shows we did before they were born is a big old ask.

I'm racing towards 50 years old... (next Fringe I'll be 47)... how long could I reasonably expect to charge around the city of Edinburgh with the sort of energy I had back in the day.

Some of this comes back to my long-term bizarre relationship between my weight, stand-up, and Edinburgh.

The worse my weight, the harder Edinburgh is to blast around, yet I always have a special burst of energy when I hit the Fringe... yet Edinburgh has, in the past, poisoned me with its plethora of unhealthy eating options. Yet Edinburgh has also acted as my annual exercise and diet plan. Weird.

Stand-up has been a good place to explore my feelings around weightloss, yet the late night driving and eating of the stand-up comedy circuit have been quite toxic for my health.

If I look back to last year's trip to Edinburgh, I was in a great place weight-wise and Edinburgh proved it. I'd packed on quite a bit of weight in the first half of the year, despite my desire to use an introduction to a dance-based fitness class, and a part in The Producers as my excuse to get fitter... in the end I regressed to stupid eating and gained weight... but the end of The Producers was like a switch being flicked.

I blasted harder than ever at my eating and exercise, doing multiple classes per week, doing building projects at home (two sheds!) and I lost a fantastic amount of weight in a short period and was genuinely more nimble.

We hit Edinburgh and I left my wife in the dust as we blasted up hills... Which is not very polite. She was, I think, amazed that I was being so energetic.

It's out of character.

These things come and go though... post Fringe, though the diet regime held for a bit, other things clouded the sky, health-wise.

This is what happens when you head into middle age. It just gets harder.

So, I find myself wondering how well the leisure industry will bounce back after this pandemic, how quickly the Fringe Society and other organisations will recover, given this year's aborted attempt at holding the festival, how much disposable income we'll really have in a year's time, and whether my aging bones will have it in them to do one of my favourite things.

Time will definitely tell.

As negative and conflicted as this all may sound, I'm looking forward to finding out what time does tell, and I'm not going to give up easily on the Scottish August silly season. 

That I have bought a new microphone is not a personal first. I own several microphones, though this new one will be the most expensive one I've ever bought. The question to ask is "Why now?".

I've been using GarageBand on my MacBook more than usual. I bought the MacBook about 3 years ago to be able to do this, but hadn't touched GarageBand at all until a few weeks back. So, again, why now?

I have been writing more songs than normal for the first time in many many years. The last time I was this prolific was because I had an hour-long show to fill... now I don't.

So why now?

I mean, the answer is obvious. This is not the story of a man and his microphone. This is the sort of thing that happens when the world is turned upside down and locked down.

For the sake of emptying my mind of this stuff, and creating a record that I'll look back on and perhaps even laugh at (who knows what lies the future will make of the following), here's where we're at.

Current day job: IT - in a contract role that I'm still managing to hold down, despite disruptions from the UK tax regulations, a huge disruption to the aviation industry owing to a global pandemic, and varying degrees of challenges owing to home working. On the whole, I've worked consistently and hard throughout and done some good software engineering.

Current other day job: still editing for Baeldung.com, for which I have spurts of effort and periods of nothing to do, or so much to do that I can't imagine how to start it. I'm presently on top of the pile of things to do.

Stand-up comedy: somewhat on hiatus as the leisure sector has imploded/stalled. I've been on the circuit for years, and have some regular haunts. If the truth were laid out plainly, I've not "broken through". It still seems a struggle to be taken seriously, and I constantly say to me that I'll be appreciated more once I've written some new material... which I don't actually get around to writing.

Family: (probably should have put them first... but this is a solipstistic blether about me, so they'll have to forgive me for not doing that) doing well. The kids are generally positive about their home schooling regime. My wife is a hero, and she's getting increasingly better at all the things she has to juggle to make things work in these challenging times. We have some great moments, but life is significantly weird.

Health: now that's where it's complex. I'm more healthy than most. I'm not dying (any more than anyone else), but I feel like I could have been in a better position than I am now.

I'll whack dieting concerns into another post.

If I take a quick mile high view of where I'm at right now, it's "doing ok". Everything is basically under control. We have supplies of things we need, especially coffee and soda stream gas. Everyone's still friends, we have a routine that gets us through the week, and there's talk of the school reopening for my son on 1st June, which, if it's safe to do so, will benefit him more than staying at home.

Trying to stay focused and on top of things in these circumstances is a challenge, but we're doing it.